Only previously available on the Dreamcast, the PS2 version offers a handful of refinements that only the most hardcore of World Warriors will notice. The ritualistic destruction of the motor-car makes its third appearance since Final Fight and Street Fighter II and the blocking training, where the player is bombarded with Sean's basketballs, is a great opportunity to practice high and low parrying. Capcom’s bonus rounds make a welcome return in Street Fighter III. Doubling up a fireball, for example, can often catch an opponent off-guard as they block the first ball but not the one that sneakily follows on its heels. The ability to increase the damage of special moves (by pressing two attack buttons simultaneously) also adds an element of strategy as doing so drains the player’s Super Art meter and also has some interesting side effects.
Mastering the parry in single player mode is an essential exercise if a cocky victory in versus is desired there has never been a greater feeling of euphoria in any Street Fighter than parrying oneself out of a corner and using that split-second pause to achieve a win. Get the trick right though and the rewards are plenty, the score bonus and the ability to turn the tide of battle to the player's advantage are well worth the risk.
Performed by tapping forward at the precise time that an enemy attack would connect, the parry is a risky manoeuvre that could leave the player even more open to a beating. This is helped along by the addition of parries: a strategic type of blocking that reduces damage to zero and gives the player a split second to counter attack. This removal of too many over-the-top combos encourages the player to experiment on their actual fighting strategies rather than relying on cheesy energy depleting moves. For the most part Street Fighter III plays like a regular 2D fighter except that each combatant can only use one of three selectable super moves (known as Super Arts). The attention lavished upon the presentation would all be a shallow waste of time if the game played like Poker without a complete deck thankfully Capcom’s hand is good and the aces are high. The same thing, sadly, cannot be said about the blatant James Bond rip-off score on Yun’s stage.
Some of the character themes seem to ape the classic Streets of Rage soundtrack, but no one in their right mind would complain about that. Unlike many of the orchestral themes that accompany the big budget games of modern consoles these are tunes that unmistakably belong to videogames a quality that some dev-cos seem to underestimate these days. Whilst none of the musical themes will ever be as memorable as those from Street fighter II they are adequate at their worst and exuberant at best. Hugo's attic stage is a particular highlight as flooring an opponent triggers a number of incidental animations as the wrestler's belongings bounce in reaction to the impact of fallen warriors. So much so that players will often find themselves trying to launch their opponent as far into the sky as possible just to catch a glimpse of every last corner of the scenery. The backgrounds can at times be just as aesthetically stunning as the fighters can. If you’re sceptical about this then load up the game and get someone to play as Elena watch her duck and weave across the screen and you’ll swear she has been rotascoped. Clothes ripple as if real wind is actually blowing against individual pixels, muscle definition is expertly shaded and the use of light and shadow adds a subtle depth to character animation that somehow achieves a level of realistic movement that is uniquely different to that of 3D fighters. Whilst the resolution is lower than that of the Guilty Gear series, the detail and animation is unparalleled by any other fighter. The first thing newcomers will notice about the brawler is the gorgeous visual presentation. Third Strike is the third and final tweak of Street Fighter III and is one of Capcom’s finest games. Instead of evolving the Street Fighter franchise along the path set out by the Zero series, Capcom had reduced the amount of characters and moves and then filled the void left by these with quirky techniques not seen in previous iterations of the game or those of their rivals. Over the years though, most players would come to realise that their initial reservations were all in their minds, a product of their expectations being met by something no one had expected. Complaints ranged from criticism of the unfamiliar characters to the disappointment that players could not choose between different fighting styles. In trying to create a game that was truly different to both Street Fighter II and Street Fighter Zero III, Capcom almost alienated its entire fanbase. Never have the words of Parrapa the Rapper’s Chop Chop Master Onion been more applicable than to the original fan reaction to Street Fighter III.
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